S cinefan festival of asian and arab

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Front-row views and backroom chatter from the festival of Asian and Arab films. We will be bringing you daily what-to-watch tips, news and highlights through the festival, which runs till 5 August. The avant-garde and fiercely independent director makes enigmatic reveries that explore familial relationships, sexuality, and political engagement. A typical Weerasethakul movie unfolds in a calm, unhurried fashion — characters commune with each other and with nature at leisure, witnessed by an unobtrusive camera.
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Details of Osian"s Cinefan Festival of Asian & Arab Cinema Trademark

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SFN INTERVIEW / Osian's Cinefan Film Festival Director, Indu Shrikent - Short Film News Network

Or characters learning profound life lessons. Or characters growing or characters changing or characters learning to like each other or characters overcoming obstacles to succeed in the end. Movie shit. Valerie is quiet for a moment - from "Adaptation". That movie shit. Because we talk about films, dammit. Not your sex life.
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The screenings included 61 shorts. The Festival marked a return after a gap of two years and proved to be the biggest film event in the country with as many as films from around 38 countries from India, Asia and the Arab world. Turkey dominated the awards tally, winning as many as four awards in different categories. Mrs Dikshit also unveiled the new trophy in the shape of a turtle.
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As well as the Asian film quarterly Cinemaya, Aruna Vasudev's Cinefan festival of Asian Cinema, walks now under the banner of Osian's, a powerful company based in Bombay. Its 8th edition July 14th rd, was once more the occasion of viewing a wide range of Asian films, and of Arab cinema part of it being geographically in Asia , although not really culturally…. Apart from the competition films, one could always shift to many different sections, such as Asian Frescoes, Arabesque, Cross-cultural Encounters, a Focus on Buddhism which gave us the rare opportunity to see a film made in Bhutan, Milarepa, directed with talent by Neten Chokling , a retrospective on Stanley Kwan, one of the sharpest 'auteurs' in Hong Kong, and, last but not least, a retrospective of the great Bengali director Ritwick Ghatak , in the presence of his widow and son.
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